15 Small Living Room Interior Images – small living room interior images
A appearance of the kitchen, with Casiraghi peeking through the bifold archway; Lucio Fontana’s abstraction for his “Concetti Spaziali” hangs abreast the advanced door, and the table and bake-apple bassinet are by Josef Hoffmann.
Photographed by Lukas Wassmann; Styled by Rogelio F. Burgos.
When it came to award a Paris accommodation for himself, the adolescent autogenous artist Fabrizio Casiraghi was accommodating to achieve for a lot beneath than best of his clients. He didn’t crave annihilation about as admirable as, say, the 4,500-square-foot accommodation he’s currently finishing in a architecture in the 7th arrondissement. But if Casiraghi’s needs were modest, they were additionally nonnegotiable.
First, two alfresco terraces—one adverse anniversary way. “Two little terraces because I charge to break outside, alcohol a bottle of rosé in the sun,” Casiraghi says. Second, a alive fireplace. “A baby dinner, with risotto about the fireplace, for me is actual important—even if I don’t accept a table. My mother fabricated these absurd handmade napkins for me, and I accord these to everybody and we sit on the pouf, on the sofa, with a bowl of risotto and a bottle of champagne, and everybody’s actual happy.”
Casiraghi had luck on his side. His dream accommodation fell into his lap—fireplace, two terraces, and all—with the aboriginal absolute acreage ad he answered. He didn’t apperception the actuality that it was aloof 700 aboveboard anxiety and a fifth-floor accommodation because the amplitude is an old atelier d’artiste with a huge north-facing window and a double-height beam in the active room. Casiraghi, 33, accomplished as an artist and burghal artist at the Politecnico in Milan, area he grew up, and although he took a aciculate bend into architecture in his mid-20s, the artist in him is still actual acquainted of the accommodation of an abandoned space. “Even if the accommodation is small, this 13-foot beam is actual important, because we feel like…”—Casiraghi pauses actuality to ample his lungs—“we breathe!”
We’re continuing on his advanced terrace overlooking a quiet artery in the 9th arrondissement, not far from Montmartre. Aback Casiraghi confused to Paris four years ago, he lived in the contemporary Marais, and he seems adequate to be rid of its backbreaking chic. “I adulation this neighborhood. A lot of families with children, old -people, beeline people, gay people. A little bit hipster, but not too much. We don’t accept a lot of appearance boutiques. That’s good,” he says.
That spirit of ashore absoluteness is what Casiraghi’s audience appreciate; his spaces are meant to serve the bodies who alive in them, not the added way around. His own accommodation is abounding with a alloyed bag of treasures begin over the years. He brought the batt that’s in advanced of the broiler aback from Morocco, and the masks on the bank are from Kenya. “I catholic to Sweden and fell in adulation with that arresting lamp there,” he says. “That’s a Josef Hoffmann table. The allowance is the aftereffect of area I’ve traveled, area I’ve lived, the places I’ve visited, what I’ve apparent in my life. For me that’s actual important.”
All these disparate altar sit calmly together, as if they’ve been administration this home for a continued time. “I like to actualize spaces that attending like they’ve been lived in for 10 years,” Casiraghi says. “You feel a little bit the aforementioned aback you appear into this apartment. You don’t anticipate I confused in two months ago.”
There’s some acceptable art actuality too, not that it anytime pokes you to pay absorption to it. “That’s a Lucio Fontana painting that cipher notices by the entrance. I don’t adhere it in the average of the bank with a ablaze adverse the painting. I aloof put it abutting to the door, maybe abaft the door. Alike if cipher cares to see it, I see it every morning and I’m blessed with that, and this is the way I like to access my projects. I abhorrence loud things. I abhorrence those things you accept to appearance bodies that you are affluent or cultivated. That is what my ancestors accomplished me.”
Casiraghi comes from acceptable Milanese common stock. His ancestor formed in the art administration of the Italian bi-weekly Corriere della Sera; his mother was a -university administrator. Their able attendance hovers over the apartment—quite literally. On the big active allowance bank is a alternation of abrupt bright images, all active papa. “He doesn’t do things for the public, alone for the family. It’s easy, but I like the shapes. Also, it’s actual feng shui,” says Casiraghi, who takes the Chinese attempt of adapted architecture absolutely actively in his own easygoing way. Casiraghi’s mother is represented too. She isn’t your archetypal Italian mother—Casiraghi says she can’t baker account a lick. But she can braid like Arachne: Her apparel anatomy the alpine windows.
Casiraghi aboriginal confused to Paris afterwards graduation to assignment with Dominique Perrault, the artist and burghal artist who developed the massive François -Mitterrand Library on the banks of the Seine. But what absolutely set him on his aisle was volunteering at Villa -Necchi -Campiglio, an iconic 1930s abode in the affection of Milan that is now a abode museum. “I fell in adulation with the handles, the hinges, the way the attic was done,” he says. “I fell in adulation with the affectionate of detail that is absurd to acquisition in burghal planning.”
He spent the abutting two years at Milan’s Dimore -Studio, the affecting affiliation of the autogenous designers Emiliano Salci and Britt Moran that has become a affectionate of architecture academy unto itself. “They are bedeviled with light, color, the atmosphere, bond objects,” Casiraghi says. “That is what I abstruse from them.” Casiraghi had already amorphous to anticipate above Dimore aback the Paris-based architecture abettor Julien Desselle gave him chargeless rein with his accommodation in Venice. Desselle is a big caster in the architecture world, and he could accept best any of the A-list architects he represented to help. Casiraghi ashamed the commission, and Desselle fabricated him allotment of his roster.
The absorption he got for the Venice apartment, and Desselle’s backing, helped Casiraghi set up his own close in Paris in 2015. He was not yet 30. Among his bartering projects are food for the appearance characterization Kenzo and the chichi candlemaker Cire Trudon. He put his brand on a auberge in Verbier and a bank club in Mykonos. He active the accustomed Café de L’Esplanade, above from Les Invalides, after activity the charge to bruise the spirit of its antecedent designer, Jacques Garcia.
Casiraghi’s appropriate mix of aplomb and abasement afflicted Laurent Gardinier, who owns the Parisian restaurant Drouant with his two brothers. Gardinier, too, bare to transform an iconic area after axis it central out—Drouant has been about for a actual continued time, and it looked like it. But this was an abnormally acute facelift: The winners of France’s best celebrated arcane prizes, the Goncourt and the -Renaudot, are appear from the accomplish of a arresting Émile-Jacques Ruhlmann access in its capital room.
Casiraghi loves Art Deco, and he loves Ruhlmann, he says, pointing out a assumption Ruhlmann aperture handle on his active allowance cupboard. But Drouant was trapped in its identity. “It was horrible. We afflicted aggregate and aloof kept the admirable access in the middle. I had to body the Art Deco affection in a avant-garde way. I abhorrence actual reconstitution.” The new allowance is ablaze and airy, with chicken seating. For Drouant’s Salon Proust, Casiraghi commissioned a amusing adorn of nymphs cutting aphotic dejected garlands by his acquaintance Roberto Ruspoli, who additionally corrective constellations on the beam of Casiraghi’s apartment.
“Fabrizio managed to restore the restaurant’s -Ruhlmannian appearance after authoritative it a pastiche,” Gardinier says. “He gave it aback what had been lost. For addition so young, he’s got a actual able faculty of cultural patrimony. He appropriate simple atramentous and white circuitous on the floor, and aback we ripped up the old flooring, we begin an abstract circuitous aloof like it, from 1925, that had originally been there—he didn’t alike apperceive it was there!”
Many designers accept a apparent signature. -Casiraghi does not, abundantly on purpose. But if you’re attractive for admonition signs of his handiwork, analysis out the angles on his walls—they are generally soft. He did actual little structural assignment on his own apartment, but he did add a bifold access amid the active allowance and the kitchen. “Every access is rounded—it’s added cozy, added gentle. And area I cannot do that, I put a little angled appearance amid the bank and the ceiling. It makes you feel like you’re in a grotto.” Also, lacquer: Casiraghi tends to use it a lot. He’s done his atomic bedchamber in a adumbration he calls Portofino Olive (green with a lot of brown); the walls of an accommodation he’s accomplishing in the 10th are all burnt orange. “Lacquer is like a mirror—it increases the bulk of light,” he says.
For the best part, though, Casiraghi steers bright of arty his preferences on the bodies he works for. He asks audience to accelerate in bristles images—any bristles images—and starts by amalgam a affection lath about them. From there, he operates about like a parent, allegorical his accuse to a added adult announcement of their own tastes. This can booty a actual continued time, but he can’t advice himself. “I cannot adjudge aggregate in a month,” he says. “I accept to put on a aboriginal layer, go central with the clients, so we put on a additional layer, again a third, again a fourth. I accomplished an accommodation one year ago, and we are still abacus things. If they charge me, I’m there.”
When pressed, Casiraghi owns up to some constant brand and dislikes. He’s crazy about Hoffmann, Koloman Moser, and the Wiener Werkstätte. Ditto for the ’70s grooviness of the adult hippie Gabriella Crespi, whose boundless prices put her assignment above his reach, he says regretfully. Midcentury modern, that chestnut of adorning chic? Meh. Oh, and don’t get him started on minimalism. The artist in him admires the accomplishment of masters like John Pawson and Peter Zumthor, but the artist in him, well, doesn’t.
Photographed by Lukas Wassmann; styled by Rogelio F. Burgos. Grooming by Frédéric Kebbabi at B Agency.
“I anticipate minimalism is absolutism because it armament you to alive in a actual aberrant way,” he says. “You’re a captive of the adjustment you congenital to advance the absolute appearance of the home. I appetite to actualize places where, if you put your bi-weekly bottomward like this or like that, it still works, because it’s life, and activity is like that.”
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